Dome Painting
An Expression of Creativity
Tania Dangtran came upon the River School a couple months ago and was enticed by the abundant opportunities for creativity that this place offers. After checking out the Dome she had the perfect idea to transform it into a neolithic cave replete with paintings.
She, her husband, Chris, and four young people took on the task. What follows is a glimpse into her creative process.
First, can you tell a bit about yourself and where you’re from?
I was born in France and my mum is from the south of Spain. I moved with my family and my two teenagers to Reno 3 months ago from the Netherlands, for my husband to open a brand design consulting company. We actually lived in Reno for a couple of years 20 years ago then moved to New York City, and Venice, Italy. After moving around the world, we decided that Reno is a beautiful place to settle down with the people here so warm and friendly.
It is a good way to put roots down by leaving my mark on the Dome! The River School has been so welcoming to us and it really feels like home. Thanks for making it happen!
What inspired you to paint the dome?
As an Art Masterpiece Guide in Europe, we studied a project once with children on the Cave of Lascaux that has impressive drawings of animals from Magdalenian artists in Prehistoric time.
I actually built a "cave of Lascaux 2" out of butcher paper that we first painted hoping to recreate that magical atmosphere and to have kids understand what it was like for the boys who discovered the painted cave some 60 years ago.
After crawling into a "tunnel" to get inside, we crushed pigments and mixed them with oil and used twigs and straws as brushes , by replicating the techniques of the 1st cave artists .
The Dome at the River School has so much character that I instantly longed to transform it into "Lascaux 3"! It’s shape and layout just fit so well with the environment that it seemed so natural to have it embellished with primitive art.
Museums need not to be only for elites, arts need to go down to the streets and be brought outside museums, so anybody can develop an appreciation for what they observe and exercise their power of visual discrimination.
